In my art photography, I have combined various genres such as still life, portrait, landscape, and subject photography, among others. This reflects my skills and creativity.
In my art photography, I have combined various genres such as still life,
portrait, landscape, and subject photography, among others.
This reflects my skills and creativity.
In my art photography, I have combined various genres such as still life, portrait, landscape, and subject photography, among others. This reflects my skills and creativity.
The charm of artistic photography: Why I'm in love with the world through the lens
Artistic photography allows you to see beauty in detail, express emotions and tell stories without words, which makes it especially fascinating for me.
| S |
Canon R | Canon 16-35mm f/2.8 L II USM | 35mm 1/640 f/8 iso 100
| The Magic of Lake Ilmen |
Canon EOS R | TTartisan 7.5mm f/2 | 7.5mm 1/10s f/5 iso 100
| Calmness and regularity |
Canon R | Tamron 70-200mm f/2.8 DI VC USD | 200mm 1/4000s f/2.8 iso 100
| Еlectric field |
Canon R | Canon 16-35mm f/2.8 L II USM | 35mm 20s f/7.1 iso 100
| Pie with filling |
Canon R | Tamron 70-200mm f/2.8 DI VC USD | 200mm 1/800s f/2.8 iso 100
| S |
Canon R | Canon 16-35mm f/2.8 L II USM | 35mm 1/640 f/8 iso 100
| The Magic of Lake Ilmen |
Canon EOS R | TTartisan 7.5mm f/2 | 7.5mm 1/10s f/5 iso 100
Canon R | Canon 16-35mm f/2.8 L II USM | 32mm f/2.8 10s iso100
The challenge in shooting was the inability to use pulsed light, resulting in a strict exposure value for each frame. Capturing such a shot required more than 300 frames due to the shallow depth of field.
Canon R | Canon 16-35mm f/2.8 II L USM + macro ring | 35mm 1/4000s f/5.6 iso 4000
dynamics-statics-character. The method of using the wiring behind the object creates a greater concentration on the main object
Canon R | Canon 16-35mm f/2.8 L II USM | 16mm f/3.5 1/30 iso 3200
Canon EOS 750 film | Tamron 70-200mm f/2.8 DI VC USD LOMOCHROME PURPLE
Canon R | Canon 16-35mm f/2.8 L II USM | 32mm f/2.8 10s iso100
The challenge in shooting was the inability to use pulsed light, resulting in a strict exposure value for each frame. Capturing such a shot required more than 300 frames due to the shallow depth of field.
Canon R | Canon 16-35mm f/2.8 II L USM + macro ring | 35mm 1/4000s f/5.6 iso 4000
Photoshop project inspired by the 2001 film "The Fast and the Furious"